An Epistolary Preface
By
Christian Brinton
My dear Alexandre Benois:—
It is with a sense of pleasure and privilege that I assume the responsibility of commending your résumé of Russian painting to the American public. To you who are so familiar with the intellectual and artistic physiognomy of your country the preparation of these pages was a labour of love into which you put the full measure of your scholarly exposition and discriminating analysis. It was at your congenial quarters in the rue Cambon, Paris, during a memorable engagement of the Ballet Russe, where, as you doubtless recall, we first projected an English version of this work. The pressure of other matters prevented the consummation of our plans, which have meanwhile happily materialized, thanks to the discerning initiative of a young publisher who vies with us in the admiration of Slavonic letters and art.
When, my dear Benois, you and I met so fraternally in Rome, Paris, London, and elsewhere Russian art, and more specifically the art of the theatre, was at its
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