Page:Bergson - Laughter (1911).djvu/27

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I
THE COMIC IN GENERAL
13

heroes, his thoughts and intentions gradually turn more and more towards them, till one fine day we find him walking among us like a somnambulist. His actions are distractions, But then his distractions can be traced back to a definite, positive cause. They are no longer cases of absence of mind, pure and simple; they find their explanation in the presence of the individual in quite definite, though imaginary, surroundings. Doubtless a fall is always a fall, but it is one thing to tumble into a well because you were looking anywhere but in front of you, it is quite another thing to fall into it because you were intent upon a star. It was certainly a star at which Don Quixote was gazing. How profound is the comic element in the over-romantic, Utopian bent of mind! And yet, if you reintroduce the idea of absentmindedness, which acts as a go-between, you will see this profound comic element uniting with the most superficial type. Yes, indeed, these whimsical wild enthusiasts, these madmen who are yet so strangely reasonable, excite us to laughter by playing on the same chords within ourselves, by setting in motion the same inner mechanism, as does the victim of a practical joke or the