out pain and with pleasure; (2) that they feel themselves interested, so that self-love leads them more willingly to reflection upon it.
It consists, then, in a correspondence which we seek to establish between the head and the heart of those to whom we speak on the one hand, and, on the other, between the thoughts and the expressions which we employ. This assumes that we have studied well the heart of man so as to know all its powers, and then to find the just proportions of the discourse which we wish to adapt to them. We must put ourselves in the place of those who are to hear us, and make trial on our own heart of the turn which we give to our discourse in order to see whether one is made for the other, and whether we can assure ourselves that the hearer will be, as it were, forced to surrender. We ought to restrict ourselves, so far as possible, to the simple and natural, and not to magnify that which is little, or belittle that which is great. It is not enough that a thing be beautiful; it must be suitable to the subject, and there must be in it nothing of excess or defect.
17
Rivers are roads which move, and which carry us whither we desire to go.
18
When we do not know the truth of a thing, it is of advantage that there should exist a common error which determines the mind of man, as, for example, the moon, to which is attributed the change of seasons, the progress of disease, &c. For the chief malady of man is restless curiosity about things which he cannot understand; and it is not so bad for him to be in error as to be curious to no purpose.
The manner in which Epictetus, Montaigne, and Salomon de Tultie[1] wrote, is the most usual, the most suggestive, the most remembered, and the oftenest quoted; because it is entirely composed of thoughts born from the common talk of life. As when we speak of the common error which
- ↑ The name assumed by Pascal in his "Provincial Letters."
