that to be perfect is to be natural, and that one must be simple and unostentatious to be beautiful in the true sense of the word. After all, what can be quite so lovely as beautiful manners? And what can be more worthy of admiration and respect than a sweet, well-mannered young girl?
Politeness and courtesy are two other important virtues that the young girl should develop. She should be as polite to her mother and sister as she is to strangers. She should be courteous and kind to everyone. And she should learn the art of listening as well as the art of conversation.
THE CHAPERON
American girls with their independent ideas of social requirements mock the idea of a chaperon to the theater or dance. And this is especially true of the many young women who are planning careers for themselves, who intend to be more than social butterflies.
We are proud of the ideal American girl. We do not mean, of course, the self-esteemed, arrogant young miss who derides all conventions and calls herself "free." In her we are not interested at all. But there is the true American type—the young girl who is essentially a lady, who has self-reliance but is not bold, who is firm without being overbearing, who is brainy but not masculine, who is courageous, strong and fearless, yet feminine. She has no need of the chaperon; and it is because of her that the "decay of the chaperon" has been so rapid in America.
And so we find that the American girl who is well-bred, who is well-mannered and high-principled, may attend the theater and the dance with gentlemen, unchaperoned. It
