very fine. But it was a long time since he had shown interest in such things—"or in anything much," as she thought.
Other pictures were two water-colours in baroque frames; one being the Amalfi monk on a pergola wall, while the second was a yard-wide display of iris blossoms, painted by Alice herself at fourteen, as a birthday gift to her mother. Alice's glance paused upon it now with no great pride, but showed more approval of an enormous photograph of the Colosseum. This she thought of as "the only good thing in the room"; it possessed and bestowed distinction, she felt; and she did not regret having won her struggle to get it hung in its conspicuous place of honour over the mantelpiece. Formerly that place had been held for years by a steel-engraving, an accurate representation of the Suspension Bridge at Niagara Falls. It was almost as large as its successor, the "Colosseum," and it had been presented to Mr. Adams by colleagues in his department at Lamb and Company's. Adams had shown some feeling when Alice began to urge its removal to obscurity in the "upstairs hall"; he even resisted for several days after she had the "Colosseum" charged to him, tramed in oak, and sent to the house. She cheered
