THE TERRITORIAL ENTERPRISE
and a printer named Stephen Gillis, of whom Clemens was very fond, bought a large imitation meerschaum pipe, had a German-silver plate set on it, properly engraved, and presented it to Samuel Clemens as genuine, in testimony of their great esteem. His reply to the presentation speech was so fine and full of feeling that the jokers felt ashamed of their trick. A few days later, when he discovered the deception, he was ready to destroy the lot of them. Then, in atonement, they gave him a real meerschaum. Such things kept the Comstock entertained.
There was a side to Samuel Clemens that, in those days, few of his associates saw. This was the poetic, the reflective side. Joseph Goodman, like Macfarlane in Cincinnati several years earlier, recognized this phase of his character and developed it. Often these two, dining or walking together, discussed the books and history they had read, quoted from poems that gave them pleasure. Clemens sometimes recited with great power the "Burial of Moses," whose noble phrasing and majestic imagery seemed to move him deeply. With eyes half closed and chin lifted, a lighted cigar between his fingers, he would lose himself in the music of the stately lines:
By Nebo's lonely mountain,
On this side Jordan's wave,
In a vale in the land of Moab
There lies a lonely grave.
And no man knows that sepulcher,
And no man saw it e'er,
For the angels of God upturned the sod,
And laid the dead man there.
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