blushed like a schoolgirl when he was informed by the practical Brewster that the paints and material for one room alone would cost twice as much.
"Petty, you have no more idea of business than a goat," criticised Montgomery, and Paul lowered his head in humble confession. "That man who calcimines your studio could figure on a piece of work with more intelligence than you reveal. I'll pay $2,500. It's only a fair price, and I can't afford anything cheap in this place."
"At this rate you won't be able to afford anything," said Pettingill to himself.
And so it was that Pettingill and a corps of decorators soon turned the rooms into a confusion of scaffoldings and paint buckets, out of which in the end emerged something very distinguished. No one had ever thought Pettingill deficient in ideas, and this was his opportunity. The only drawback was the time limit which Brewster so remorselessly fixed. Without that he felt that he could have done something splendid in the way of decorative panels—something that would make even the glory of Puvis de Chavannes turn pallid. With it he was obliged to curb his turbulent ideas, and he decided that a rich simplicity was the proper note. The result was gorgeous, but
