tively. He did the conventional thing, but he did it well. He added a touch or two of luxury, the faintest aroma of splendor. Pettingill had designed the curiously wayward table, with its comfortable atmosphere of companionship, and arranged its decoration of great lavender orchids and lacy butterfly festoons of white ones touched with yellow. He had wanted to use dahlias in their many rich shades from pale yellow to orange and deep red, but Monty held out for orchids. It was the artist, too, who had found in a rare and happy moment the massive gold candelabra—ancient things of a more luxurious age—and their opalescent shades. Against his advice the service, too, was of gold,—"rank vulgarity," he called it, with its rich meaningless ornamentation. But here Monty was obdurate. He insisted that he liked the color and that porcelain had no character. Mrs. Dan only prevented a quarrel by suggesting that several courses should be served upon Sèvres.
Pettingill's scheme for lighting the room was particularly happy. For the benefit of his walls and the four lovely Monets which Monty had purchased at his instigation, he had designed a ceiling screen of heavy rich glass in tones of white that grew into yellow and dull
