the front seat with his rabble of followers, would vociferously encourage his favourite actress with his approbation. This greatly disturbed the rehearsal, but the proprietors of the theatre did not dare to annoy a patron of whose vindictiveness they were afraid. But one day he went so far as to molest an actress in the green-room, and he had to be turned away with the aid of the police.
Gopinath determined to take his revenge, and when, after a great deal of preparation and shrieking advertisements, the new play Manorama was about to be produced, Gopinath took away the principal actress Lavanga with him, and disappeared. It was a great shock to the manager, who had to postpone the opening night, get hold of a new actress, and teach her the part, bringing out the play before the public with considerable misgivings in his mind.
But the success was as unexpected as it was unprecedented. When the news reached Gopinath, he could not resist the curiosity to come and see the performance.
The play opens with Manorama living in her husband’s house neglected and hardly noticed. Near the end of the drama her husband deserts her, and, concealing his first marriage, manages to marry
