PAINTERS AND ENGRAVERS.
first a scholar of Bernasconi at Milan, and after-
wards studied at Bologna under Lorenzo Pasinelli.
He was invited to Piacenza by the Duke Ranucci
Farnese, for whom he painted many pictures. He
distinsruished himself by his representation of
animals. He died at Milan early in the 18th
century.
SBINKO DA TROTINA, a miniaturist of Prague in the 14th century.
SCABARI, NiccoLO, painter, bom at Vicenza in 1735, painted in the style of the Bassani. His works are to be found in the churches of Vicenza, Padua, and Verona. He died in 1802.
SCACCIANI, Camillo, called Carbone, an Italian painter of the Roman school, who flourished to- wards the close of the 18th centurj-. He was a native of Pesaro, where there is a ' S. Andrea Avellino ' by him in the Duonio.
SCACCIATI, Andrea, an Italian designer and engraver, born at Florence about the year 1726, was a pupil of Schwej-khard. In 176G he pub- lished, jointly with Stefano Mulinari, a set of forty- one plates in aquatint, from drawings by distin- guished masters in the collection of tlie Uffizi.
SCACCIATI, Andrea, was bom at Florence in 1642, and was first a scholar of Mario Balassi, but he afterwards studied under Lorenzo Lippi. He painted animals, flowers, and fruit, and was patron- ized by the Grand Duke of Tuscany. He was still living at Florence in 1704.
SCAGLIA, Girolamo, a native of Lucca and painter of the Florentine school, was sometimes called II Parmigianino. In 1672 he was at work in Pisa.
SCAIARIO, Antonio, a painter of Bassano, one of the later disciples of the school of the Bas- sani, was the pupil and son-in-law of Giunibatista da Ponte. In allusion to his birth and training, he occasionally signed his works Antonio da Ponte, and Antonio Bassano. He died in 1640.
SCALABRINO, Lo, a scholar of Sodoma, showed great poetical invention in painting grottesche. As a disciple of Bazzi he would rank among the Sienese painters ; but he was accustomed to sign himself Scalabrimia Pistoriensis. so that Pistoja seems to have been his birthplace. !
SCALBERG, Pierre, a French painter and en- graver, who resided in Paris about the year 1638. Of his work as a painter little is known, but he has left a few etchings, some from his own designs, others from well-known pictures, e. g. :
Venus and Cupid ; signed and dated. 163S. The Eutombment of Christ ; after Raphael. The Battle of Constantine ; after the same. Diana and her Nymphs ; after Domeyiichino. Robert-Duraesnil, torn, iii., has ascribed forty-seven prints to Scalberg, who is said to have worked as late as 1650.
SCALBERGE, (or Scalle Berge,) Frederic, a Flemish engraver, who flourished from 1623 to 1636, as appears by the dates on his plates. This engraver, who signed his name sometimes Scal- berge, and sometimes Scalle Berge, must not be confounded with Pierre Scalberg.
SCALIGERI, Bartolo, a native of Padua, was born about 1605, but settled at Venice, and was a scholar of Alessandro Varotari. Several altar-pieces by him are still preserved in Venice, among which that in the church of Corpus Domini is perhaps the best. The date of his decease is not recorded.
SCALIGERI, LnciA, niece of Bartolo Scaligeri, was born at Venice in 1637. She distinguished herself by literary and linguistic powers, and was an excellent musician. In art she was a pupil of Alessandro Varotari, and painted several pictures for the churches of Venice. She died in 1700.
SCALVATI, Antonio, painter, was born at Bologna in 1599, and w.as a scholar of Tommaso Lauretti. He accompanied his master to Rome, and assisted him in the Sala di Constantino. Scalvnti was employed by Sixtus V. in the library of the Vatican, and excelled in portraiture, painting Pope Clement VIII., and many personages of hit- time. He died in 1622.
SCAMINOSSI, (ScHiAMONOssi, Sciaminossi,) Raphael, a native of Borgo S. Sepolcro, born about 1570, was a scholar of Raflaellino dal CoUe. He painted history with success, but is more known as an engraver than as a painter. He sometimes used a monogram composed of the letters R. A. S. F. thus t He was still living in 1620. Among his plates we may name;
The Virgin and Child ; inscribed Raphael .Schatmnoasius Pictor,4c. 1613. St. Francis preaching in the Desert ; also froyii his oini design. 1604. A set of fourteen plates entitled Mysteria rosarii Beata Maria Virginia. 1609. The Sibyls ; a set of upright plates ; from kis oxen designs. The Stoning of Stephen ; after Luca Camhiaso. A Biposo ; after Federigo Baroccio.
SCANDRETT, Thomas, architectural draughtsman, born at Worcester in 1797. In 1825 he exhibited two portraits at the Academy, and was an occasional exhibitor of architectural drawings. He died in 1870.
SCANNABECCHI, Filippo, called Lippo di Dal- MASio, and also Lippo dalle Madonne, from the numerous pictures he painted of tlie Virgin and Child, was one of the earliest painters of the Bolognese school. He was the son of Dalmasio
ScANNABECCHi, who painted at Bologna early in the 14th century. There is ati example of his art in the gallery at Bologna. Lippo is said to have been a pupil of Vitale da Bologna, and to have practised from 1376 to 1410. His pictures are now exceed- ingly scarce, though Malvasia says that a family used not to be considered wealthy at Bologna unless it possessed one of his Madonnas. The dates of his birth and death are alike unknown, but he made his will in 1410. In the National Gallery, London, there is a ' Madonna and Child in Glorj-,' signed lAppus Dalmasii pinxit. It is a very poor pro- duction.
SCANNABECCHI, Teresa. See Muratori.
SCANNARDI D'AVERARA, a painter practising at Bergamo towards the close of the loth century. No record of liis life and works has survived, but we learn from an ancient deed preserved at Bergamo, that in 1477 he was working as partner with Troso da Monza. Messrs. Crowe and Cavalcaselle suggest that the fragments of frescoes detached from the ruins of Santa Maria delle Grazie, and deposited in the Bishop's palace at Bergamo, may have been a product of this collaboration.
SCANNAVINI, M. Aurelis, (Scannavesi,) was born at Ferrara in 1655. He was first a scholar of Francesco Ferrari but afterwards visited Bologna, where he studied for some time under Carlo Cignani, of whom he became one of the most
distinguished disciples. His most considerable work is in the refectory of the Dominicans, at Ferrara. It represents the Life of St. Dominic, in
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