ters of irreproachably refined families in her house. Tony Buddenbrook, as we have seen, she welcomed most tenderly. She even made “bishop” for supper—a sort of sweet red punch to be taken cold, in the making of which she was a past mistress. “A little more beeshop,” she urged with a hearty nod. It sounded so tempting; nobody could resist!
Fraulein Weichbrodt sat on two sofa-cushions at the top of the table and presided over the meal with tact and discretion. She held her stunted figure stiffly erect, tapped vigilantly on the table, cried “Nally” or “Babby,” and subdued Mile. Popinet with a glance whenever the latter seemed about to take unto herself all the cold veal jelly. Tony had been allotted a place between two other boarders, Armgard von Schilling, the strapping blond daughter of a Mecklenburg landowner, and Gerda Arnoldsen, whose home was in Amsterdam—an unusual, elegant figure, with dark red hair, brown eyescl ose together, and a lovely, pale, haughty face. Opposite her sat a chattering French girl who looked like a negress, with huge gold earrings. The lean English Miss Brown, with her sourish smile, sat at the bottom of the table. She was a boarder too.
It was not hard, with the help of Sesemi’s bishop, to get acquainted. Mile. Popinet had had nightmares again last night—ah, quel horreur! She usually screamed “Help, thieves; help, thieves!” until everybody jumped out of bed. Next, it appeared that Gerda Arnoldsen did not take piano like the rest of them, but the violin, and that Papa—her Mother was dead—had promised her a real Stradivarius. Tony was not musical—hardly any of the Buddenbrooks and none of the Krögers were. She could not even recognize the chorals they played at St. Mary’s.—Oh, the organ in the new Church at Amsterdam had a vox humana—a human voice—that was just wonderful. Armgard von Schilling talked about the cows at home.
It was Armgard who from the earliest moment had made a great impression on Tony. She was the first person from a
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