The man's name is Rattray. It suits him somehow. If I were the heroine of a melodrama, I should feel the minute I set eyes on Rattray that he was the villain of the piece, and I should hang on like grim death to any marriage certificates or wills that might concern me, for I should know it would be his aim during at least four acts to get possession of them, He has enormous blue eyes like Easter eggs, and his ears look something like cactuses, only, thank goodness, I'm spared their being green; they wouldn't go with his complexion. I talked to him and put on scientific airs, but I'm afraid they weren't effective, for he hardly said anything, only looked gloomy, and as if he read "amateur" written on my soul or somewhere where it wasn't supposed to show. He's gone now to make arrangements for keeping my car in a garage. He's to bring it round every morning at ten o'clock, and is to teach me to drive. I won't seal this letter up till to-morrow then I can tell you how I like my first lesson.
I was proud of the car when I went out on it yesterday. Aunt Mary wouldn't go, because she doesn't wish to be the "victim of an experiment." Rattray drove for a long way, but when we got beyond the traffic, towards Richmond, I took his place, and my lesson began. It's harder than I thought it would be, because you have to do so many things at once. You really ought to have three or four hands with this car, Rattray says. When I
