Page:Cassell's Illustrated History of England vol 1.djvu/459

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A.D.1216-1399.]
HISTORY OF SOCIAL PROGRESS.
445

vitiated the standard of morals, and, by engrossing the energies of the ablest men in the pursuit of mutual destruction, have necessarily diverted them from the pursuit of all those arts which grace and that knowledge which elevates society. We believe that historians, by devoting nearly all their faculties, their passions, and their lives, their eloquence, their learning, and their logic, to the martial rather than the social history of their respective countries, have done more than all other men put together to perpetuate the false taste for sanguinary fame, and, consequently, to curse their fellow-men with a growth of warriors rather than of the true heroes of our race—those who combat errors, and who establish in our midst the triumphs of mind. Had historians placed these in the foremost ranks, and spoken of the mere physical warriors in more moderate and just terms, the world would have presented to-day a very different aspect; and, instead of Europe armed to the teeth, not so much to defend as to offend the respective peoples, and with its myriads groaning under a leaden despotism which is oppressing not only its limbs but its brain, we should have already advanced far beyond the railway and the electric telegraph, into the regions of beneficent science, and seen nations exchanging all the blessings of mutual discoveries and mutual good-will, instead of the deadly point of the bayonet and the muzzle of the gun. We now, therefore, pause in the narrative of that heritage of national contentions which our predecessors have left us, to glean up as we may a few traces of the real history of England; that is, of its religious, moral, and artistic progress during the interval between the Norman period and the present. And, first, let us say a word of the nation whose history we are tracing, as it may help the imagination of the reader to comprehend the greatness of the subject. We may suspect, when we ourselves pronounce our own people the first and foremost in the world, that national vanity may influence the judgment.

A Scandinavian God.

But we will quote the opinion of a distinguished writer of our rival, France, recently given, who cannot be supposed guilty of such bias. M. Gouraud, in his "Histoire des Causes de la Grandeur de l'Angleterre," says:—

"What a nation! Foremost in intelligence, and in the application of the useful arts, she disputes the palm in other regions of activity, and carries it in some. Is this all? No. Add that this great people is free! Free! when the rest of mankind, while pretending to rival them, can only move with anarchy, or rest in servitude. Free! that is, equally capable of discussing and respecting their laws. Free! that is, wise enough to govern themselves for the direction of their own affairs. Other mercantile nations before England have been, or believed themselves to be free. But what was the liberty of Carthage, of Venice, or even Amsterdam, beside that of London? A word beside a reality. And then England, to the imposing material and intellectual spectacle which she offers to the world, may add a third still more striking, and undoubtedly the fairest that can be seen under the heavens—namely, the moral spectacle of a nation that depends upon herself alone. To have a complete idea, however, of the unprecedented grandeur of this nation, we must also take into consideration that, unlike her predecessors in commerce, who never hold more than the most limited moral influence over the nations with which they came in contact, she acts more than any other on the destinies, the mind, and the manners of the rest of the world. Already she is the model school for the agriculturists, the manufacturers, the navigators, and the merchants of the universe.

"Then, inasmuch as by reason of her immense territorial possessions, there is no language so widely spread as hers, she exercises an incalculable influence over the human mind. There are only a few cultivated spirits who, beyond the frontiers of their respective countries, read Dante or Molière, while Shakespeare has readers in every latitude of the globe. And then, too, when the free press