Page:Cassell's Illustrated History of England vol 2.djvu/615

From Wikisource
Jump to navigation Jump to search
This page has been validated.
to 1603.]
PROGRESS OF ARCHITECTURE.
601

and walks so embowered by trees, that it seemed to be a place pitched upon by Pleasure herself to dwell in along with Health."

But there were two men in the reign of Henry VII. who drew him off from this more florid and fanciful style to others of a very different, but equally imposing character, and full of rich detail. These were Wolsey and John of Padua. Wolsey appeared to have an especial penchant for brick-work, and Hampton and the gate-house of his mansion at Esher remain as proofs of the admirable masonry which he used. In Hampton Court we actually go back from the barbaric pomp of Nonsuch to the castellated style; to small windows, pointed archways, castellated turrets and battlements, mingled with rich oriel windows over the entrances, rich groined roofs in the archways, but a very sparing use of the ordinary aid of the bulbous dome. In this and the other buildings of this class, as Hengrave in Suffolk, the richly cross-banded chimneys are a conspicuous ornament.

Music Book and Musical Instrument belonging to Queen Elizabeth

Audley Gate. Tudor Period.

Gateway of Speke Hall. Tudor Period.

John of Padua, who became chief architect to Henry VIII., and afterwards built Somerset House for the Protector, seems to have been unknown in his own country, but originated a modified Italian style here which bears his name, possessing great grace and dignity, and of which Stoneyhurst College, Lancashire, and Longleat, in Wiltshire, are fine examples. To the many mansions of this style, as well as those of the more purely Elizabethan, and drawings of them, as Wollaton, Hardwicke, and the Duke's House, Bradford, we would recommend the architects of our own day to turn their attention, instead of burdening the finest parks and scenes of England with the square, unmeaning masses of brick and stone, which offend our eyes in so many directions, and cause foreigners to ridicule the want of architectural genius in England. In the smaller houses of town and country there continued to be little change. They were chiefly of timber, and displayed much more picturesqueness than they afforded comfort. In towns the different storeys, one overhanging another till the inhabitants could almost shake hands out of the attic windows across the narrow streets, and their want of internal cleanliness and ventilation, occasioned the plague periodically to visit them. The Spaniards who accompanied Philip, in Mary's reign, were equally amazed at the good living of the English people and the dirt about their houses. One great improvement about this time was the introduction of chimneys; and in good country-houses the ample space of their staircases, which were often finely ornamented with balustrade work, diffused a pure atmosphere through them. Specimens of architecture of this period are given above, and on page 603.