of the contracting parties, and the date of their marriage, on two pieces of palm leaf or paper, which he hands over to their fathers. The day closes with the performance of gondala pūja, for which a device (muggu) is made on the ground with yellow, red, and white powders. A brass vessel is set in the centre thereof, and four earthen pots are placed at the corners. Pūja (worship) is done, and certain stanzas are recited amid the beating of a pair of large cymbals. On the fourth day, the bridal couple bathe, and the bridegroom is invested with the sacred thread. They then go to the place where the metal plates representing the ancestors are kept, with a cloth thrown over the head like a hood, and some milk and cooked rice are placed near the plates. On their way back they, in order to avert the evil eye, place their right feet on a pair of small earthen plates tied together, and placed near the threshold. The bride's mother gives the bridegroom some cakes and milk, after partaking of which he goes in procession through the streets, and a further ceremony for averting the evil eye is performed in front of the bride's house. This over, he goes to the pandal, where his feet are washed by his father-in-law, who places in his hands a piece of plantain fruit, over which his mother-in-law pours some milk. The bride and bridegroom then go into the house, where the latter ties the tāli on the neck of the former. During the tying ceremony, the couple are separated by a cloth screen, of which the lower end is lifted up. The screen is removed, and they sit facing each other with their bashingams (forehead chaplets) in contact, and rice is thrown over their heads by their relations. The Brāhman hands the contracting couple the wrist-threads (kankanams), which they tie on. These threads are, among most castes, tied at an earlier stage in the
