During the seed-sowing festival, Mr. Harkness, writing in 1832,*[1] informs us, "offerings are made in the temples, and, on the day of the full moon, after the whole have partaken of a feast, the blacksmith and the gold and silversmith, constructing separately a forge and furnace within the temple, each makes something in the way of his avocation, the blacksmith a chopper or axe, the silversmith a ring or other kind of ornament."
"Some rude image," Dr. Shortt writes,†[2] "of wood or stone, a rock or tree in a secluded locality, frequently forms the Kota's object of worship, to which sacrificial offerings are made; but the recognised place of worship in each village consists of a large square of ground, walled round with loose stones, three feet high, and containing in its centre two ‡[3] pent-shaped sheds of thatch, open before and behind, and on the posts (of stone) that support them some rude circles and other figures are drawn. No image of any sort is visible here." These sheds, which at Kotagiri are a very short distance apart, are dedicated to Siva and his consort Parvati under the names of Kāmatarāya and Kālikai. Though no representation thereof is exhibited in the temples at ordinary times, their spirits are believed to pervade the buildings, and at the annual ceremony they are represented by two thin plates of silver, which are attached to the upright posts of the temples. The stones surrounding the temples jat Kotagiri are scratched with various quaint devices, and lines for the games of kotē and hulikotē. The Kotas go, I was told, to the temple once a month, at full moon, and worship the gods. Their
