festival, at which he had the good fortune to be present as an eye-witness: —
"During my stay at Kotagiri the Kotas were celebrating the big festival in honour of their chief god. The feast lasted over twelve days, during which homage was offered to the god every evening, and a dance performed round a fire kept burning near the temple throughout the feast. On the last evening but one, females, as well as males, took part in the dance. As darkness set in, the shrill music, which penetrated to my hotel, attracted me to the Kota village. At the end of the street, which adjoins the back of the temple, a big fire was kept up by continually putting on large long bundles of brushwood. On one side of the fire, close to the flames, stood the musicians with their musical instruments, two hand-drums, a tambourine, beaten by blows on the back, a brass cymbal beaten with a stick, and two pipes resembling oboes. Over and over again the same monotonous tune was repeated by the two latter in quick four-eight time to the accompaniment of the other instruments. On my arrival, about forty male Kotas, young and old, were dancing round the fire, describing a semicircle, first to one side, then the other, raising the hands, bending the knees, and executing fantastic steps with the feet. The entire circle moved thus slowly forwards, one or the other from time to time giving vent to a shout that sounded like Hau! and, at the conclusion of the dance, there was a general shout all round. Around the circle, partly on the piles of stone near the temple, were seated a number of Kotas of both sexes. A number of Badagas of good position, who had been specially invited to the feast, sat round a small fire on a raised place, which abuts on the back wall of the temple. The dance over, the circle of
