red and yellow cloth, and an upper canopy of white cloth trimmed with red, surmounted by a black umbrella of European manufacture, decorated with red ribbands. The car was profusely adorned with red flags and long white streamers, and with young plantain trees at the base. Tied to the car were a calabash and a bell. During the construction of the car the corpse remained within the house of the deceased man, outside which the villagers continued mourning to the dirge-like music of the band, which plays so prominent a part at the death ceremonies of both Todas and Kotas. On the completion of the car, late in the afternoon, it was deposited in front of the house. The corpse, dressed up in a coloured turban and gaudy coat, with a garland of flowers round the neck, and two rupees, a half-rupee, and sovereign gummed on to the forehead, was brought from within the house, lying face upwards on a cot, and placed beneath the lowest canopy of the car. Near the head were placed iron implements and a bag of rice, at the feet a bag of tobacco, and beneath the cot baskets of grain, rice, cakes, etc. The corpse was covered with cloths offered to it as presents, and before it those Kotas who were younger than the dead man prostrated them-selves, while those who were older touched the head of the corpse and bowed to it. Around the car the male members of the community executed a wild step-dance, keeping time with the music in the execution of various fantastic movements of the arms and legs. During the long hours of the night mourning was kept up to the almost incessant music of the band, and the early morn discovered many of the villagers in an advanced stage of intoxication. Throughout the morning, dancing round the car was continued by men, sober and inebriated, with brief intervals of rest, and a young buffalo was
