sprinkled over with poli or blood-stained rice, the lanes or gulleys are attended to by the washermen of the village, who give them their share of the poli. By this time generally the day dawns, and the goddess is brought back to her straw temple, where she again receives offerings of cooked rice from all classes of people in the village, Brāhmins downwards. All the while, the Asādivandlu keep singing and dancing before the goddess. As the day advances, a pig is half buried at the entrance of the village, and all the village cattle are driven over it. The cattle are sprinkled over with poli as they pass over the pig. The Poturāju then bathes and purifies himself, and goes to the temple of Lingāmayya or Siva with tom-toms and music, and sacrifices a sheep there. The jātra ends with another grand procession, in which the images of the goddess, borne on the heads of the village potter and carpenter, are carried to the outskirts of the village, where they are left. As the villagers return home, they pull to pieces the straw temple constructed in front of the chavidi, and each man takes home a straw, which he preserves as a sacred relic. From the day the ceremony is commenced in the village till its close, no man would go to a neighbouring village, or, if he does on pressing business, he would return to sleep in his own village. It is believed that the performance of this jātra will ensure prosperity and health to the villagers and their cattle.
"The origin of this Sunkulamma jātra is based on the following legend, which is sung by the Bynēni and Asādivandlu when they dance before the images. Sunkulamma was the only daughter of a learned Brāhmin pandit, who occasionally took pupils, and instructed them in the Hindu shastras gratuitously. One day, a handsome youth of sixteen years came to the pandit,
