mouth of the water-vessel abideth Vishnu, in its neck is Rudra, in its lower part is Brahma, while the whole company of the mothers are congregated in its middle part. O! Ganges, Yamuna, Godāvari, Saraswati, Narmada, Sindhu and Kāveri, be present in this water." A part of the aforesaid ceremony (nandimukham) is called the punyāhavachana, for which the bridegroom repeats certain hymns after the Vādhyar, and is sprinkled with water from the kalas. While all this is being done in the courtyard, the very same ceremony is performed within the house in the presence of the bride, whose father does inside the house what the bridegroom is doing outside. At the conclusion of the ceremony, the tāli is tied on the bride's neck. Then two of the cloths brought by the bridegroom are sent inside, and are touched by the bride. After she has touched them, they are again brought out, and the bridegroom puts them on. He touches the other two cloths, which are taken inside, and worn by the bride. A feast (ayaniūm) is the next item. The bride and bridegroom eat their share of it in separate rooms. Then comes the marriage proper. The bride's father washes the bridegroom's feet, while a Nāyar woman waves a light (ayiram tiri or thousand lights) before his face, and conducts him to the hall prepared for the wedding. In this is a mantapam, or sort of raised seat, having four pillars and a covering roof. The pillars of the mantapam, and the ceiling of the hall, are covered with red cloth (red being an auspicious colour), and there are festoons of mango leaves. To one side of the mantapam is a screen, behind which stand the Nambūtiri women of the household, looking at the scene in the hall through holes. The bride and bridegroom are led to the mantapam, the former following the latter screened from the general gaze by a big
