Manavālan arrives in rich attire. He is often preceded by a sort of body guard with sword and shield who utter a curious kind of cry, and is met at the gate of the girl's house by a bevy of matrons with lamps and salvers decorated with flowers and lights, called talams. A man of the girl's family washes his feet, and he takes his seat in the pandal on the girl's right. Sometimes the girl's father at this stage presents new cloths (mantravādi or mantrokōdi) to the pair, who at once don them. The girl's father takes the tāli, a small round plate of gold about the size of a two-anna bit, with a hole at the top, from the goldsmith who is in waiting, pays him for it, and gives it to the Manavālan. The karnavan or father of the girl asks the astrologer thrice if the moment has arrived, and, as he signifies his assent the third time, the Manavālan ties the tāli round the girl's neck amidst the shouts of those present. The Manavālan carries the girl indoors to the macchu, and feasting brings the day to a close. Tom-toming and other music are of course incessant accompaniments throughout as on other festal occasions, and the women in attendance keep up a curious kind of whistling, called kurava, beating their lips with their fingers. On the fourth day, girl and Manavālan go in procession to the temple richly dressed. The boy, carrying some sort of sword and shield, heads the party. If the family be one of position, he and the girl must be mounted on an elephant. Offerings are made to the deity, and presents to the Brāhmans. They then return home, and, as they enter the house, the Manavālan who brings up the rear is pelted by the boys of the party with plantains, which he wards off with his shield. In other cases, he is expected to make a pretence of forcing the door open. These two usages are no doubt to be classed with those marriage ceremonies which take the
