tress by the new constellation itself, in explanation of her abduction. To judge by the fragments which are extant, Catullus appears to have paraphrased rather than closely translated the original of Callimachus, though how far he has improved upon or embellished his model it is of course impossible to say. In some degree this detracts from the interest of the poem—at any rate, when viewed in connection with the genius of Catullus. Still, it deserves a passing notice for its art and ingenuity, as employed after Catullus's manner, in blending beauty and passion with truth and constancy. It is curious, too, for its suggestive hints for Pope's "Rape of the Lock." The strain of compliment is obviously more Alexandrian than Roman; and readers of Theocritus will be prepared for a good deal in the shape of excessive compliment to the Ptolemys. But even in the compliment and its extravagance there is a considerable charm; and it is by no means uninteresting to possess, through the medium of an accomplished Latin poet, our only traces of a court poem much admired in its day. If, after all, the reception of Berenice's hair among the constellations forming the group of seven stars in Leo's tail, by the Alexandrian astronomers, is a matter of some doubt, it is at least clear that Callimachus did his best to back up Conon's averment of it, and that it suited Catullus to second his assertion so effectually, that it has befallen his muse to transmit the poetic tradition. The argument of the poem may be summarised. The Lock tells how, after its dedication by Berenice, if she received her lord from
