CHAPTER XXVIII
DIRTY WEATHER
At eight bells the Captain came on deck again, glancing
once more somewhat anxiously astern. Not a cloud was to
be seen in the moonlit sky, and the breeze that had blown so
steadily, though so softly, for weeks, was sinking gradually,
dying out, as it were, in a succession of gentle, peaceful
sighs. Eugène, with the weather-wisdom of a man who
had been but a few months at sea, rather inclined to think
they might be becalmed. The crew did not trouble themselves
about the matter. Every rag the brigantine could
show was already set, and if a sail flapped idly against the
mast, it soon drew again as before, to propel them smoothly
on their course.
Moreover, a topic had been lately broached on the fore-*castle, of engrossing interest to every man before the mast. It affected no less delicate a subject than the beauty of 'The Bashful Maid' herself, as typified by her figure-head. This work of art had unfortunately suffered a slight defacement in one of their late exploits, nearly the whole of its nose having been carried away by an untoward musket-shot. Such a loss had been replaced forthwith by the ship's carpenter, who supplied his idol with a far straighter, severer, and more classical feature than was ever yet beheld on the human countenance. Its proportions were proclaimed perfect by the whole crew; but though the artist's execution was universally approved, his florid style of colouring originated many conflicting opinions and much loud discussion on the first principles of imitative art. The carpenter was a man of decided ideas, and made large use of a certain red paint
