Page:Chapters on Jewish literature (IA chaptersonjewish00abra).pdf/124

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120
JEWISH LITERATURE

least display of effort, then there was no writer more graceful than Rashi. His famous Commentary on the Talmud is necessarily long and intricate, but there is never a word too much. No commentator on any classic ever surpassed Rashi in the power of saying enough and only enough. He owed this faculty in the first place to his intellectual grasp. He edited the Talmud as well as explained it. He restored the original text with the surest of critical instincts. And his conscience was in his work. So thoroughly honest was he that, instead of slurring over difficulties, he frankly said: “I cannot understand . . . I do not know,” in the rare cases in which he was at a loss. Rashi moreover possessed that wondrous sympathy with author and reader which alone qualifies a third mind to interpret author to reader. Probing the depth of the Talmud, Rashi probed the depth of the learned student, and realized the needs of the beginner. Thus the be-