rhyme are told in racy style, and its criticisms on men and things are clever and striking. As a literary critic also Charizi ranks high, and there is much skill in the manner in which he links together, round the person of his hero, the various narratives which compose the Tachkemoni. The experiences he relates are full of humor and surprises. Asa phrase-maker, Charizi was peculiarly happy, his command of Hebrew being masterly. But his most conspicuous claim to high rank lies in his origination of that blending of grim irony with bright wit which became characteristic of all Jewish humorists, and reached its climax in Heine. But Charizi himself felt that his art as a Hebrew poet was decadent. Great poets of Jewish race have risen since, but the songs they have sung have not been songs of Zion, and the language of their muse has not been the language of the Hebrew Bible.
