improved when he obtained a post, first as private tutor, then as book-keeper in a silk factory.
Berlin was at this time the scene of an intellectual and aesthetic revival dominated by Frederick the Great. The latter, a dilettante in culture, was, as Mendelssohn said of him, “a man who made the arts and sciences flourish, and made liberty of thought universal in his realm.” The German Jews were as yet outside this revival. In Italy and Holland the new movements of the seventeenth and the eighteenth century had found Jews well to the fore. But the “German” Jews—and this term included the great bulk of the Jews of Europe—were suffering from the effects of intellectual stagnation. The Talmud still exercised the mind and imagination of these Jews, but culture and religion were separated. Mendelssohn in a hundred places contends that such separation is dangerous and unnatural. It was his service to Juda-
