constant friends. Lessing, before he knew Mendelssohn, had written a drama, “The Jews,” in which, perhaps for the first time, a Jew was represented on the stage as a man of honor. In Mendelssohn, Lessing recognized a new Spinoza; in Lessing, Mendelssohn saw the perfect ideal of culture. The masterpiece of Lessing's art, the drama “Nathan the Wise.” was the monument of this friendship. Mendelssohn was the hero of the drama, and the toleration which it breathes is clearly Mendelssolm’s. Mendelssolm held that there was no absolutely best religion any more than there was an absolutely best form of government. This was the leading idea of his last work, “Jerusalem”; it is also the central thought of "Nathan the Wise." The best religion, according to both, is the religion which best brings out the individual’s noblest faculties. As Mendelssohn wrote, there are certain eternal truths which God implants in all men alike, but “Judaism
