Page:Character of Renaissance Architecture.djvu/206

ingless caprices as those introduced by Pellegrini in the court of the Palazzo Brera in Milan, where the arches of the superimposed arcades are sprung from pairs of columns connected by short entablatures, making it necessary to double the transverse arches of the vaulting behind them, or such novelties as occur in the windows of the basement of the Palazzo Martinengo of Brescia, which are adorned with small Doric columns carrying architraves without the other parts of an entablature, while an upright block with a ball on it rises over each column (Fig. 95), would be tiresome and profitless. We may therefore pass on in the next chapter to a brief consideration of the carved ornament of this architecture, before taking up the architecture of the Renaissance in France and England.