Page:Character of Renaissance Architecture.djvu/237

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chap. xii
LESCOT AND DE L'ORME
195

nothing whatever of mediæval character. In its present condition it is, indeed, very different from what it was originally. It first (1550) stood on the corner of two streets with a façade

Figure 116

Fig. 116.—Du Cerceau's engraving of the Fountain of the Nymphs.

of two bays on one street and a return of one bay on the other. In 1788 it was taken down and reerected in the square of the Innocents on a square plan, a fourth façade being then added. Figure 116, from an engraving by Du Cerceau,[1] illustrates the

  1. Les Plus Excellents Bastiments de France, plate 69.