so loudly in Rome against women who pretend to govern states; not in vain had Augustus's domination been at least partly founded on the great antifeminist legend of Antony and Cleopatra, which represented the fall of the great Triumvir as the consequence of a woman's influence. The public, although willing to give all possible freedom to women in other things, still remained quite firm on this point: politics must remain the monopoly of man. So to the popular imagination, Agrippina soon became a sort of Roman Cleopatra. Many interests gathered quickly to reinforce this antifeminist reaction, which, although exaggerated, had its origin in sincere feeling.
Agrippina, as a true descendant of Drusus, meant to prepare her son to rule the Empire according to the principles held by his great ancestors. Among these principles was to be counted not only the defence of Romanism and the maintenance of the aristocratic constitution, but also a wise economy in the management of finances. Agrippina is a good instance of that well-known fact--the British have noticed it more than once in India--that in public administration discreet and capable women keep, as a rule, the spirit of economy with which they manage the home. This is why, especially in despotic states, they rule
