some one else the task of execution. He chose better than Seneca: Anicetus, if Agrippina lived, ran a serious risk of becoming the scapegoat of all this affair. In fact, as soon as Nero gave his assent, Anicetus and a few sailors hastened to the villa of Agrippina and stabbed her.
The crime was abominable. Nero and his circle were so awed by it that they attempted to make the people believe that Agrippina had committed suicide, when her conspiracy against her son's life had been discovered. This was the official version of Agrippina's death, sent by Nero to the Senate. But this audacious mystification had no success. The public divined the truth, and roused by the voice of their age-long instincts, they cried out that the Emperor no less than any peasant of Italy must revere his father and his mother. Through a sudden turn of public feeling, Agrippina, who had been so much hated during her life, became the object of a kind of popular veneration; Nero, on the other hand, and Poppæa inspired a sentiment of profound horror.
If Nero had found the living Agrippina unbearable, he soon realised that his dead mother was much more to be feared. In fact, scared as he was by the popular agitation, not only had he temporarily to give up the plan of d
