writers regard what the ancients tell us of the numerous loves--real or imaginary--of Cæsar, as almost a new laurel with which to decorate his figure. On the contrary, the ancients recounted and spread abroad, and perhaps in part invented, these storiettes of gallantry for quite opposite reasons--as source of dishonour, to discredit him, to demonstrate that Cæsar was effeminate, that he could not give guarantee of knowing how to lead the armies and to fulfil the virile and arduous duties that awaited every eminent Roman. There is in our way of thinking a vein of romanticism wanting in the ancient mind. We see in love a certain forgetfulness of ourselves, a certain blindness of egoism and the more material passions, a kind of power of self-abnegation, which, inasmuch as it is unconscious, confers a certain nobility and dignity; therefore we are indulgent to mistakes and follies committed for the sake of passion, while the ancients were very severe. We pardon with a certain compassion the man who for love of a woman has not hesitated to bury himself under the ruin of his own greatness; the ancients, on the contrary, considered him the most dangerous and despicable of the insane.
Criticism has not contented itself with r
