Page:Charles Moore--Development and Character of Gothic Architecture.djvu/356

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332
INDEX

choir, 130; Chichester, 133 (cut);—Lincoln, choir, 139; Malmesbury Abbey, 125;—the ch. of St. Mary, New Shoreham, 141; Salisbury, nave, 149;—Wells, 150 (cut).

Of the cath. of Limburg, 173, 174 (cut).
Of the ch. of S. Martino in Lucca, 189.
In Spanish pointed buildings of the early 13th cent., 195.

Triforium string. See String-courses.

Tudela, cathedral, 195.


Vaults, difficulties of construction over oblong compartments, 16 (cut); effect of the introduction of the pointed arch upon, 16, 17 (cut); always both stilted and domed in Gothic, 17; general character of, in Gothic buildings, 18; twisted surfaces of, 39; obliquity and irregularity of surface, 52; of the first half of 13th cent., 67; improved by replacing the round longitudinal arch by a pointed one, 68; the thrusts concentrated on the piers by stilting the longitudinal ribs, 69; apsidal aisles, 98; first step toward fan vaulting, 144; polygonal chapter-houses, 168; generally absent in the smaller village churches in England, 169.

Barrel characteristic of the style of Auvergne, 195; in the smaller Spanish buildings of the early 13th cent., 195;—demi-barrel, 12;—domed, 52;—quadripartite, contemporaneous with sexpartite, 51; general use in the I3th cent., 68; in square compartments, characteristic of the Burgundian style, 195;—sexpartite, 38; various modes of support, 40-60; unusual in the 13th cent., 68; peculiarity in the cath. of Limburg, 173, 174 (cut).
Of the cath. of Amiens, apse, 96, 97 (cut);—Beauvais, 68, choir, 76;—Bourges, 59, 68, apse, 95;—the Abbaye-aux-Dames at Caen, 13, 14 (cut), 17, 51;—the Abbaye-aux-Hommes, at Caen, 12, 13 (cut), 39;—the cath. of Chartres, nave, 73 (cut), apse, 95, 96 (cut);—Laon, 58; the ch. of Mantes, 57;—of Morienval, apsidal aisle,33-35 (cuts);—the cath. of Noyon, choir and transept, 38, choir, 49, nave, 50, apse, 93 (cut);—the ch. of Ouestreham, 51;—the cath. of Paris, choir, 38, apse, 94 (cut), changes and repairs in the I3th cent., 86, apsidal aisles, 100 (cut);—the ch. of St. Denis, apsidal and choir aisles, 36-37 (cut), nave and choir, 76;—the priory of St. Gabriel, 51; the cath. of Senlis, east of the transept, 38.
Of Canterbury cath., choir, 129-131 (cut);—Chichester, 131;—Durham, 14, 17;—Fountains Abbey, 127, 128 (cut); Kirkstall Abbey, aisles, 127;—Lichfield cath., nave, 156; Lincoln, choir, 135-140 (cuts), nave, 143, aisles, 146, presbytery, 154;—Malmesbury Abbey, aisles, 124 (cut); nave, 126;—the ch. of St. Mary, New Shoreham, 141;—Peterborough cath., aisles, 143;—Salisbury, nave, 147 (cut);—Wells, 150.
Of early German buildings, 171;—of the cath. of Bamberg, 170, 171 (cut);—the Breslau Kreuzkirche, 175;—Cologne cath., 176;—Freiburg, 174; Magdeburg, 172;—Speyer, 171.
Of the ch. of St. Francis of Assisi, 182;—the cath. of Florence, 187; the ch. of Sta. Croce, apse, 186; the ch. of Sta. Maria Novella, 183 (cut); the basilica of San Miniato, 41;—the ch. of Sta. Anastasia in Verona, 189.
Roman, 10.
In Spanish pointed buildings of the early I3th cent., 194.

Vaulting shafts, employed as a decorative feature only, 141, 144; coupled, in Spanish pointed buildings, 195, in Burgundy, 195;—of the cath. of Amiens, 75;—Bourges, 59;—the Abbaye-aux-Dames, at Caen, 153 (cut);—the cath. of Chartres, nave, 74;—the ch. of Notre-Dame at Dijon, 60;—the cath. of Laon, 58;—the ch. of Mantes, 58;—the cath. of Noyon, 49 (cut);—Paris, 53, 55-57 (cuts);—Reims, 74;—the ch. of St. Denis, 76;—of St. Leu d'Esserent, nave, 72;—the cath. of Senlis,—43; Sens, 60, 130.

Of Byland Abbey, 141;—Canterbury, cath., choir, 129-130 (cut), at transept crossing, 138 (cut);—Chichester, 131, 132 (cut);—Lichfield, nave, 157;—Lincoln, choir, 136, at transept crossing, 138 (cut), nave, 144, presbytery, 154;—Malmesbury Abbey, 125, 126 (cut);—the ch. of St. Mary, New Shoreham, 141;—Ripon, choir, 142;—Salisbury, nave, 148;—Wells, 150;—Whitby Abbey, 141.
Of the cath. of Limburg, 173, 174 (cut);—Speyer, 171 (cut).
Of the ch. of St. Francis of Assissi, 182.