in it, and then she takes considerable time with her hair. No, she does not take very much time for it; she arranges it in a minute; but she trifles with it, because she likes her hair; however, sometimes she is long busy with one of the important stages of her toilet, putting on her shoes; she wears elegant shoes; she dresses very simply, but shoes are her passion.
And here she comes out to tea, kisses her husband. "How did you sleep, mílenki?" She talks with him at table about different trifles and serious things; however, Viéra Pavlovna—no, Viérotchka, because at morning tea she is still Viérotchka—drinks not as much tea as cream; tea is only pretext for cream, she has more than half a cup of it; cream is also her passion. It is hard to find good cream in Petersburg, but Viérotchka manages to find the best that there is, without any adulteration. She dreams of having her own cow; well, if business improves as it has been doing, it can be realized in a year's time. But now it is ten o'clock. "Mílenki" goes off to give his lessons or to business; he is employed in the office of a manufacturer. Viéra Pavlovna—now she is Viéra Pavlovna again, until the next morning—looks after the house; she has one servant, a young girl whom she has to teach everything, and after you have taught her, it is necessary to break in a new one. Viéra Pavlovna does not keep her servants long; they all get married! Within a half-year or a little more, you will see Viéra Pavlovna working on a collar or a pair of cuffs, preparing herself to be the bride's nuptial godmother; here it is impossible to refuse. "How is it possible to do otherwise, Viéra Pavlovna? you have made all the arrangements yourself, there is no one besides you." Yes, there is a great deal of care about the house. Then it is necessary to go and give her lessons; she has a good many pupils, about ten hours a week; more would be too hard, and she would not have any time. Before the lessons it is necessary to stop in the shop for a little while, and on her way home she has to look in once more. And then comes dinner with the mílenki. At dinner they almost always have company; one, more often two. More than two is impossible; when they have two to dinner, it is necessary to do extra work, to prepare a new dish so as to have enough. If Viéra Pavlovna feels tired when she gets home, dinner is made more simple. She sits till dinner time in her own room, resting, and the dinner is put on as it was begun,
