than in this very comparison. There has never been such a thing as proletarian art; but there has emphatically been such a thing as peasant art. And the only literature which even reminds us of the real tone and talk of the English working classes is to be found in the comic song of the English music-hall.
I first heard one of them on my voyage to America, in the midst of the sea within sight of the New World, with the Statue of Liberty beginning to loom up on the horizon. From the lips of a young Scotch engineer, of all people in the world, I heard for the first time these immortal words from a London music-hall song:—
"Father's got the sack from the water-works
For smoking of his old cherry-briar;
Father's got the sack from the water-works
'Cos he might set the water-works on fire."
As I told my friends in America, I think it no part of a patriot to boast; and boasting itself is certainly not a thing to boast of. I doubt the persuasive power of English as exemplified in Kipling, and one can easily force it on foreigners too much, even as exemplified in Dickens. I am no Imperialist, and only on rare and proper occasions a Jingo. But when I hear those words about Father and the water-works, when I hear under far-off foreign skies anything so gloriously English as that, then indeed (I said to them), then indeed:—
