Page:Chicago manual of style 1911.djvu/156

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INDEX TO TYPES

  1. PAGE
  2. Advertising Figures
    ................................................................................................................................................................................................................................................................................................................................................................................................
    85
  3. Antique Greek
    ................................................................................................................................................................................................................................................................................................................................................................................................
    45
  4. Arabic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    46
  5.  
  6. Black Gothic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    81
  7. Body Type:
  8. Modern
    ................................................................................................................................................................................................................................................................................................................................................................................................
    3–7
  9. Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    8–15
  10. Monotype
    ................................................................................................................................................................................................................................................................................................................................................................................................
    16–33
  11. Bold-Face Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    79
  12. Bookman Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    40–43
  13. Borders
    ................................................................................................................................................................................................................................................................................................................................................................................................
    116–18
  14. Bradley Text
    ................................................................................................................................................................................................................................................................................................................................................................................................
    91
  15. Brass Circles
    ................................................................................................................................................................................................................................................................................................................................................................................................
    105
  16.  
  17. Caslon Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    34–37, 48–49
  18. Caslon Old Style Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    49
  19. Century Expanded
    ................................................................................................................................................................................................................................................................................................................................................................................................
    72
  20. Chaucer Text
    ................................................................................................................................................................................................................................................................................................................................................................................................
    89
  21. Cheltenham Bold
    ................................................................................................................................................................................................................................................................................................................................................................................................
    61–63
  22. Cheltenham Bold Condensed
    ................................................................................................................................................................................................................................................................................................................................................................................................
    60
  23. Cheltenham Bold Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    64–65
  24. Cheltenham Condensed
    ................................................................................................................................................................................................................................................................................................................................................................................................
    60
  25. Cheltenham Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    56
  26. Cheltenham Old Style Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    56–57
  27. Cheltenham Wide
    ................................................................................................................................................................................................................................................................................................................................................................................................
    58–59
  28. Clarendon
    ................................................................................................................................................................................................................................................................................................................................................................................................
    65
  29. Condensed Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    52–53
  30. Condensed Title
    ................................................................................................................................................................................................................................................................................................................................................................................................
    87
  31. Copperplate
    ................................................................................................................................................................................................................................................................................................................................................................................................
    81
  32. Cushing Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    68–69
  33.  
  34. Delia Robbia
    ................................................................................................................................................................................................................................................................................................................................................................................................
    66–67
  35. De Vinne
    ................................................................................................................................................................................................................................................................................................................................................................................................
    74–77
  36. De Vinne Condensed
    ................................................................................................................................................................................................................................................................................................................................................................................................
    78–79
  37.  
  38. Elzevir Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    51
  39. Engraver's Bold
    ................................................................................................................................................................................................................................................................................................................................................................................................
    71
  40. Engraver's Old English
    ................................................................................................................................................................................................................................................................................................................................................................................................
    90
  41. Ethiopic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    46
  42. Extended Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    53–54
  43.  
  44. French Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    54–55
  45. Gothic Condensed
    ................................................................................................................................................................................................................................................................................................................................................................................................
    80
  46. Greek:
  47. Antique
    ................................................................................................................................................................................................................................................................................................................................................................................................
    45
  48. Inscription
    ................................................................................................................................................................................................................................................................................................................................................................................................
    45
  49. Porson
    ................................................................................................................................................................................................................................................................................................................................................................................................
    44
  50.  
  51. Hebrew
    ................................................................................................................................................................................................................................................................................................................................................................................................
    45
  52.  
  53. Initials
    ................................................................................................................................................................................................................................................................................................................................................................................................
    95–104
  54. Inscription Greek
    ................................................................................................................................................................................................................................................................................................................................................................................................
    45
  55. Interchangeable Gothic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    84
  56. Ionic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    65
  57.  
  58. Jenson Old Style Italic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    79
  59.  
  60. Light-Face Gothic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    80
  61. Lining Gothic Condensed
    ................................................................................................................................................................................................................................................................................................................................................................................................
    82–83
  62. Litho Roman
    ................................................................................................................................................................................................................................................................................................................................................................................................
    86
  63.  
  64. Miscellaneous Signs
    ................................................................................................................................................................................................................................................................................................................................................................................................
    47
  65. Modern
    ................................................................................................................................................................................................................................................................................................................................................................................................
    3–7
  66. Monarch
    ................................................................................................................................................................................................................................................................................................................................................................................................
    83
  67. Monotype
    ................................................................................................................................................................................................................................................................................................................................................................................................
    16–33
  68.  
  69. Nestorian Syriac
    ................................................................................................................................................................................................................................................................................................................................................................................................
    46
  70.  
  71. Old Style Antique
    ................................................................................................................................................................................................................................................................................................................................................................................................
    79
  72. Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    8–15
  73. Old Style No. 8
    ................................................................................................................................................................................................................................................................................................................................................................................................
    50
  74. Old Style Italic No. 8
    ................................................................................................................................................................................................................................................................................................................................................................................................
    51
  75. Omaments
    ................................................................................................................................................................................................................................................................................................................................................................................................
    106–15
  76.  
  77. Pontiac
    ................................................................................................................................................................................................................................................................................................................................................................................................
    70–71
  78. Porson Greek
    ................................................................................................................................................................................................................................................................................................................................................................................................
    44
  79. Post Old Style
    ................................................................................................................................................................................................................................................................................................................................................................................................
    73
  80. Priory Text
    ................................................................................................................................................................................................................................................................................................................................................................................................
    92
  81. Remington Typewriter
    ................................................................................................................................................................................................................................................................................................................................................................................................
    88
  82. Remington Typewriter, New Model
    ................................................................................................................................................................................................................................................................................................................................................................................................
    88
  83. Remington typewriter, New Model Elite
    ................................................................................................................................................................................................................................................................................................................................................................................................
    88
  84.  
  85. Scotch Roman
    ................................................................................................................................................................................................................................................................................................................................................................................................
    38–39
  86. Sloping Gothic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    85
  87. Syriac, Nestorian
    ................................................................................................................................................................................................................................................................................................................................................................................................
    46
  88.  
  89. Tiffany Script
    ................................................................................................................................................................................................................................................................................................................................................................................................
    93
  90. Tiffany Shaded
    ................................................................................................................................................................................................................................................................................................................................................................................................
    94
  91. Tiffany Upright
    ................................................................................................................................................................................................................................................................................................................................................................................................
    93–94
  92. Title
    ................................................................................................................................................................................................................................................................................................................................................................................................
    87
  93. Tudor Black
    ................................................................................................................................................................................................................................................................................................................................................................................................
    91
  94.  
  95. Wedding Text
    ................................................................................................................................................................................................................................................................................................................................................................................................
    89
  96. Whittier
    ................................................................................................................................................................................................................................................................................................................................................................................................
    81

141