adult life. Boys who have been to the theatre come home to imitate the celebrated actors, and to extemporize mimic theatricals for themselves. Feigned sickness and "playing the doctor," imitating with ludicrous exactness the pomp and solemnity of the real man of pills and powders, and the misery of the patient, are the diversions of very young children. Dinners, tea-parties, and even weddings and funerals, are imitated in Japanese children's plays.
Among the ghostly games intended to test the courage of, or perhaps to frighten children, are two plays called respectively, the "One Hundred Stories" and "Soul-Examination." In the former play, a company of boys and girls assemble round the hibachi, while they or an adult, an aged person or a servant, usually relate ghost stories, or tales calculated to straighten the hair and make the blood crawl. In a distant dark room, a lamp (the usual dish of oil) with a wick of one hundred strands or piths, is set. At the conclusion of each story, the children in turn must go to the dark room and remove a strand of the wick. As the lamp burns down low the room becomes gloomy and dark, and the last boy, it is said, always sees a demon, a huge face, or something terrible. In "Soul-Examination," a number of boys during the day plant some flags in different parts of a graveyard under a lonely tree, or by a haunted
