The Music on the Hill
in on them yesternight. Her will power and strategy had prevailed; Mortimer would stay.
Outside the morning room windows was a triangular slope of turf, which the indulgent might call a lawn, and beyond its low hedge of neglected fuchsia bushes a steeper slope of heather and bracken dropped down into cavernous combes overgrown with oak and yew. In its wild open savagery there seemed a stealthy linking of the joy of life with the terror of unseen things. Sylvia smiled complacently as she gazed with a School-of-Art appreciation at the landscape, and then of a sudden she almost shuddered.
"It is very wild," she said to Mortimer who had joined her; "one could almost think that in such a place the worship of Pan had never quite died out."
"The worship of Pan never has died out," said Mortimer. "Other newer gods have drawn aside his votaries from time to time, but he is the Nature-God to whom all must come back at last. He has been called the Father of all the Gods, but most of his children have been stillborn."
Sylvia was religious in an honest vaguely devotional kind of way, and did not like to hear
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