Page:Costume, fanciful, historical, and theatrical (1906).djvu/269

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XVIII
OF BRIDAL DRESS
223

Queen of Richard II. of England, included in her trousseau a gorgeous and unique robe and mantle of red grained velvet, embroidered with metal birds of goldsmith's work perched upon branches of pearls and green precious stones. Obviously economy was no object, and her Majesty had determined to do the thing handsomely.

In the sixteenth century English matrons wore a coif or close bonnet, and the unmarried women braided their hair with knots of ribbon. There is a curious record in the history of Chester in Henry VIII. 's time, which includes an order "to distinguish the head-dress of the married women from unmarried, no unmarried woman to wear white or other coloured caps; and no woman to wear any hat, unless she rides or goes abroad into the country (except sick or aged persons), on pain of 3s. 4d." Such an order is almost as unreasonable as ungrammatical, yet there is comfort to be gleaned from the fact that the tax on disobedience was but 3s. 4d.

In the sixteenth century in Scotland the hair of an unmarried girl was bound by a snood or simple fillet, a lock of hair hanging on each side of the face and tied with a ribbon; but, when married, women covered the hair with a fold of linen fastened under the chin and falling in points on the shoulders. At the marriage of Princess Elizabeth, daughter of James I., in 1613, when the fashion of the time was the stiff stomacher, farthingale and ruff, "the bride wore a crown set with diamonds, a dress of silver stuff embroidered with silver, pearls and precious stones, the train so long that it was borne by twelve or fifteen fair young ladies, the hair flowing freely down as low as the knee, in the style that