Page:Costume, fanciful, historical, and theatrical (1906).djvu/56

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26
COSTUME
CHAP

may or may not have influenced the subsequent lessening of the trains. Gradually the width of the dresses decreased as their length increased, and the girdle had the privilege of existing merely as an ornament, while the cuffs of the under-sleeves were adorned with buttons, and the hanging over-sleeve was cut as a long bag from the elbow to the shoulders, where it fastened into the robe and fell to the floor.

Amongst the wise saws of ancient instance was the advice in the Romance of the Rose, "that ladies should let trailing robes hide the feet of those too large and unsightly, but that the more beautifully gifted could hold up their skirts and proceed in comfort." Herein may we realise that wisdom is no new counsellor in the ways of vanity, and I am quite convinced that some such philosopher must have guided the selection of the dame whose picture faces page 22 in draperies of pink over mauve, with a purple mantle lined with red. Nothing could be more becoming than the simple lines of her gown which flow from neck to hem, trimmed at the top with gold jewels set with emeralds, while round her brow is a golden fillet, with a fold of white lawn under the chin holding this from side to side. How attractive are these lawn folds may be noted again on a famous canvas, which portrays a dress of the same period in thick brocade, with a plain over-skirt bordered with embroidery, and the broad flat turban hat flanked on either side by wings elaborately decked with jewels, with a pendent veil from the back.

There is much virtue in the veil, and its length and condition were varied to suit the individual and her circumstance. On state occasions it would