last three from the Mahabharata. The tales classed as those of the Devotees, are, of course, from various sources, those of Druwa and Prahlad being popular versions of stories found in the Vishnu Purana, while Gopala and his Brother the Cowherd is, I imagine, like the Judgment-Seat of Vikramaditya, merely a village tale. Shibi Rana, Bharata, and the two last stories in the collection, are from the Mahabharata. Of the four tales classed together under the group-name "Cycle of the Ramayana," it seems unnecessary to point out that they are intended to form a brief epitome of that great poem, which has for hundreds of years been the most important influence in shaping the characters and personalities of Hindu women. The Mahabharata may be regarded as the Indian national saga, but the Ramayana is rather the epic of Indian womanhood. Sita, to the Indian consciousness, is its central figure.
These two great works form together the outstanding educational agencies of Indian life. All over the country, in every province, especially during the winter season, audiences of Hindus and Mohammedans gather round the Brahmin story-teller at nightfall, and listen to his rendering of the ancient tales. The Mohammedans of Bengal have their own version of the Mahabharata. And in the life of every child amongst the Hindu
