almost three-quarter arm swing, I have never seen his equal. He has every variation of pace, and, on a wicket that suits him, as much off break as he wants; and he bowls, or did bowl at his best, a length that only a very few bowlers like Alfred Shaw ever excelled. It has been said that on a perfect wicket he plays a man in. Well, perhaps he does; but those of us who on a sticky wicket at Lord's—and at Lord's a sticky wicket spells perdition—have had the temerity to stand up against him, bowling as he nearly always is from the pavilion end, know with what difficulty he can be stopped, and with what superhuman effort scored off.
Two other great medium-paced bowlers appeal immediately to the player of cricket—Attewell and Mead—both of a wonderful length, and doing a bit either way, not in the same way as Jack Hearne, who is practically an off break bowler, with a fast ball going with his arm, but with distinctive finger or hand break going both ways.
Who does not remember Attewell's easy, full-faced run up to the wicket, the splendid control of length—a very machine, but a machine with an untiring human intelligence. Both these two are perfect gluttons for work—this end, the other end, both ends, all day and probably all night if the span of the hours for play were lengthened. Attewell I should have taken on a good wicket, and Mead on a bad.
The latter I remember years ago at Broxbourne, where he and I led the attack for the local club, and
