graceful. While some of the pictures in this collection are interesting mainly for their curiosity, or as being something like an illustrated history or diary of events and changes in the game, there are others that are real works of art and beauty, sometimes depending mainly on their expression of the game itself, and sometimes only using it as an adjunct to the scenery. Of the former kind, we must notice most especially the remarkable series of drawings by Mr. G. F. Watts, R.A., which show the batsman in the various positions of defence or attack. To very many it will be a revelation that the great artist could lend his pencil to a matter of such trivial importance (as some base souls may deem it) as the game of cricket; but without a doubt that great knowledge of anatomy, which has been one of the strong points in all his paintings, has been learned in some measure from these studies, which also give it a very high degree of expression. There is a force, a vigour, a meaning about these sketches which are interesting enough, if for no other reason than because they show so vividly the inadequacy of the mechanical efforts of photography, when brought into competition, as a means of expression, with the pencil of a really great artist. You feel almost as if you must jump aside out of the way of the fellow stepping forward to drive the leg volley, or of the fearful man drawn back to cut, so forcefully is the force expressed
