more perfect than in his day, though if you really go out far enough—and unless you can get so far as to command the ball, however it break, it is surely better not to go out at all—the most troublesome ball has not time to develop much of its dangerous eccentricity before you have met it. Of course there is always the chance of missing it, and then there's the wicket-keeper's opportunity.
But, all details of prudence apart, there is no doubt that we have here a totally new departure in batting, devised, as is usual, to meet some new requirements on the part of the bowler. A very kindly, genial, remarkably honest man—a really loveable man—was this potter, David Harris, though he did say, in chaff, that he liked to "rind" Tom Walker, and certainly he was an epoch-making bowler, for he made the ball come off the ground with an underhand action in the very way that is the study of our over-handers. He was a good sportsman too, and when he had the pitching of the wicket, tried to give Lumpy, at the other end, a brow to bowl over, while he chose for himself a brow to pitch against. No one ever seems to have hinted that Harris's action was a jerk, though there were jerkers in the world in those days.
Beldham and Fennex, then, were the first to pick up the new style of going in to meet the pitch of the ball, and so prevent its jumping up "and grinding their fingers on the bat." Hitherto there had been good hitting, but all inside the crease, cutting and drawing to leg. Small had his bat straightened for
