tion of his runs were made in this way. In ancient days many balls on the leg side used to be played by a now practically obsolete stroke called the 'draw,' which consisted of an ugly lifting up of the left leg and letting the ball glide off the bat between the legs towards long-leg. It was as much part of the répertoire of a player of the old style as a cut or a drive, but it has utterly gone out of fashion as a stroke to be learnt, simply because it had no further effect than the glide off the bat as now practised; the modern style has also the additional advantage of being more elegant, and there is less chance of the ball hitting the foot. The famous Jemmy Grundy used frequently to play this stroke, and his mantle appears to have descended on some younger Nottingham players, for at the present day they sometimes use it. It used to be brought off occasionally by the famous Richard Daft, and was in fact the only stroke of this graceful and most correct player that was not elegant. As we have now got on the subject of the draw, we may as well describe the other sort of obsolete draw, which was performed by just touching the ball with the bat quite straight, but with its left side turned towards the wicket-keeper, or what soldiers would call left half-face, held some way behind the body. Tom Hearne used to be great at this sort of draw, but it is even more entirely gone out of fashion as a stroke than the other style. The same effect is produced by what is frequently seen—namely, a batsman only just snicking a ball off the leg stump, or just touching it, leaving the spectator uncertain whether the ball has been played or has hit the wicket. Tom Hearne, who was the last player who used to practise this stroke methodically, was in the habit of jumping with both feet towards short-leg, and leaving the bat in the correct position for the draw; and not unfrequently he was caught at the wicket owing to the ball not being turned sufficiently; sometimes, though not often, if the bound towards short-leg happened to be a little too much in front, he used to be stumped. This stroke necessitated moving the right leg towards short-leg, and it is on this ground mainly that we contend that it is not sound cricket; but, as has
