Page:Culture and Anarchy, Third edition, 1882, Matthew Arnold.djvu/120

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CULTURE AND ANARCHY
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resistance,—the great qualities of an aristocracy, and the secret of its distinguished manners and dignity,—these very qualities, in an epoch of expansion, turn against their possessors. Again and again I have said how the refinement of an aristocracy may be precious and educative to a raw nation as a kind of shadow of true refinement; how its serenity and dignified freedom from petty cares may serve as a useful foil to set off the vulgarity and hideousness of that type of life which a hard middle class tends to establish, and to help people to see this vulgarity and hideousness in their true colours. But the true grace and serenity is that of which Greece and Greek art suggest the admirable ideals of perfection,—a serenity which comes from having made order among ideas and harmonised them; whereas the serenity of aristocracies, at least the peculiar serenity of aristocracies of Teutonic origin, appears to come from their never having had any ideas to trouble them. And so, in a time of expansion like the present, a time for ideas, one gets, perhaps, in regarding an aristocracy, even more than the idea of serenity, the idea of futility and sterility.

One has often wondered whether upon the whole earth there is anything so unintelligent, so unapt to perceive how the world is really going, as an ordinary young Englishman of our upper class. Ideas he has not, and