to the mother, who asks where the lads are. The twins reply that she shall have them again, if she can behold them without laughing. Then they begin to play on their pipes; at the sound, the transformed brothers, Hunbatz and Hunchouen, are attracted from the forest to the house, they enter it and begin to dance. Their mother laughs at their comical gestures, and they vanish (Popol-Vuh, b. ii. c. 5).
I very much fear that I am leading my readers a sad dance, like one of these strange pipers; I only hope that I shall not, like the Sclavonic dæmon harper, send them to sleep. We must go a little further.
It is curious that the lyre-god Apollo should be called Smintheus, because he delivered Phrygia from a plague of rats. How he performed this feat we do not know; probably it was, after the manner of the Hameln piper, with his lyre, for we find that in Greek fable that instrument has powers attractive to the beasts attributed to it. The rats, as animals loving darkness, may have been regarded as symbols of night, and Apollo driving them from the land may have typified the sun scattering darkness.
Orpheus with his strains allured birds
