FRANCES Villa (1804) ; New Ruins of Pompeii (1805); painted by Ingres for Prince Salerno, Naples. Environs of Rome, Environs of Paris (1866) ; Larousse, xiii. 1218. Country-House (1807) ; Harvest, Valley of By Ary ,SV/V//'<T, Sir Richard Wallace, Monster (1868) ; Mt. Blanc from St. Cergnes Manchester House ; canvas (Dante, Inferno). (1869) ; View at Vaux de Cernay (1872); Salon of 18155, under title : Dante and Virgil Souvenir of Nice (1873) ; Spring, Terrace at encountering in Hell the Spirits of Fran- Nice (1874) ; Ravine of Puits-Noir (187.")) ; cesca da Kiniini and Paolo. Francesco, her Mirror of Seey (1870) ; Mont Ccrvin, Lake eyes closed, her hair dishevelled, hangs ten- Nenii (1878) ; Valley of Rossillon, Morning derly on the neck of Paolo as they float (1879) ; Highway at Combs-la- Ville, Evening through the air, while the two poets con- (1880) ; Castle of Gandolfo on Lake of template the touching scene in silence. Alhano, Washing-Place near Pierrefonds Painted for Due d'OrU'ans ; bought in 1853 (1881); Villafelipa, Villefranche (1882); l>y Prince DemidutVfor 43, Odd fr. ; DrmidnlV Beach at Capri, Part of a Villa at Nice sale ( 187<I) to Lord Hertford for 100,000 fr. (18815); Morning at Clisson, Last Days of Engraved l>y Calamatta ; etched by Vey- Autumn (1884) ; Lake of Neini, Sliady River rasset. Replica, painted 1855, exhibited (1885). IK.")'.), owned by Mine. Marjolin, the artist's FRANCES Y PASCUAL, Don PLA- daughter.- Lamusse, xiii. 1218. CIDO, born at Valencia; contemporary. By George Frederick U'ntt.-; London; Genre painter, pupil of Valencia art school, canvas, H. 5 ft. -4 ft. 1 in. Francesco and Medals : 1st class, Saragossa ; 3d class, Ma- Paolo, phantoms pale and death-like, clasped drid. Works: The King's Order, What is in a Living embrace, are swept onward bc- she thinking of? (187'.t) ; Proclamation of fore the wind against a background of clouds Boabdil (1884). -La Hustracion (187!)), ii. and fiery rain. Painted in 1*7'.). Exhibited 5',); (1884), i. 302. , in New York in issl. FRANCESCA DA RIMINI, Alexandre ERANCESC A, l'IKK< ) DKLLA, born at See Paulo and Francesco. Borgo San Sepolcro Bv Dominique Imjriv, Angers Museinn ; in 1411! (?), died canvas. Illustration of the mediaeval story there, Oct. 12, 14'. 12. of Franccsca da Rimini, as related by Dante Umbrian s c h o o 1 . and Boccaccio. Francesca, the wife of Gio- Real name Pietro di vanni Malatesta, called from his lameness Benedetto dcgli from birth Gianciotto (commonly made into Franceschi ; first Laneelotto), fell in love with her handsome masterunknown. In brother-in-law, Paolo Malatesta, a liaison 143!) he assisted Do- which ended in the death of the two at the menico Veneziano hands of the enraged Gianciotto. In the in painting the fros- < picture the couple are represented as just cos in S. M. Nuova, having finished reading the story of Lancelot Florence, where ho was brought into eon- and Guinevere. The book has fallen from tact with many eminent painters, and laid Francesca's hands ; Paolo, bending forward, the foundation of his great scientific knowl- givesher the fatal kiss, and Lanciotto, lifting edge of linear and aerial perspective. In the drapery, advances with drawn sword to the projection of shadows, the perfecting of take his revenge. Painted in Rome ill 1819 ; mediums for oil painting, the delineation bought by M. Turpin de Crissee, who be- of architecture in backgrounds, and the queathed it to Angers Museum. Original correct balance of light and shade, he had sketch, Mine. Montett-Gilibert. Litho- few rivals. So perfect was his rendering graphed by A. Lecomte, 1834. Replica of nature, that had he been guided by a TO
