FATTOPJ Penni assisted liis master in the Vatican and in the Faruesina frescos, and he painted the greater part of the celebrated Cartoons from Raphael's designs. He made copies of Raph- ael's Transfiguration and Entombment, the former of which is in the Sciarra Colon- na Gallery, Rome. Raphael's Visitation, Madrid Museum, and Madonna del Passeg- gio, Bridgewatcr Gallery, are attributed to I'enni, after Raphael's designs. His St. George and the Dragon and St. Michael are in the Dresden Museum. After Raphael's death Penni and Giulio Romano worked to- gether for a while, but they finally separated and the former settled at Naples. Vasari, ed. Le Mon., viii. 241 ; cd. Mil., iv. G43 ; Burckhardt, (i(i(), (ill, (!78, 083 ; Siret, GOO ; Ch. Blanc, Keole ombrienne ; Liibke, Gesch. ital. Mai., ii. 300. FATTOKI, GIOVANNI, Cavaliere, born at Leghorn, Sept. 28, 1828. Landscape, animal, and battle painter, pupil of Florence Academy, where ho is now a professor. Medals at Vienna and Philadelphia. Works : Urunelleschi's Plan for Construction of Cu- pola on Florence Cathedral, Battle of Ma- genta (1859), Florence Academy ; Gleaners (1800); Wounding of Prince Amadeo at Custozza, Brcra, Milan ; Battle near La Ma- donna delle Scoperte, Leghorn Town-Hall ; Horse Market in Piazza Montanara, Rome. Miiller, 108. FAURE, EUGENE, burn at Seyssinet, near Grenoble, in 1822, died in Paris, Feb., 1879. Genre and portrait painter, pupil in Paris of David d' Angers and of Rude ; went to Italy in 1849 and studied in Rome, Flor- ence, and Venice ; settled in Paris in 1851. Medal in 1804 ; second class, 187'2. Works : Landscape (1847), First Steps in Love (1801), Grenoble Museum ; Dreams of Youth (1857); Education of Cupid, Ten- fold (1859) ; Confidence (18G3) ; Eve (1804), Due de Morny, Paris ; The Source (1878) ; Venus plucking her Pigeons ; Chlo; ; with Kid ; Daphnis and Chloi 1 leading their Herds; Male and Female Portrait (1878). Kuust-Chrouik, xiv. 525; Meyer, Gesch., C02. FAUST WITH THE CUP, Ary Scheffer, Count Kucheleff ; canvas, H. 5 ft. 3 in. x 3 ft. 4 in. Faust, hearing the sound of the church bells, sets upon the table the cup of poison which he was about to swallow ; in background, the shadow of Mephistopheles dimly seen in the smoke of the lamp. Sa- lon, 1858. FAUST AND MARGUERITE IN THE GARDEN, Ary Kch>-/>-r, Samuel Ashton, England. The couple, young and hand- some, stand in a natural attitude, expressive of their newly awakened love. Salon, 1840. FAUST AND MEPHISTOPHELES, Al- fred Louis Jacumin, James H. Stebbins, New York , canvas. Faust seated behind a table in his study ; Mephistopheles, standing, at left, a study of the singer Faure as he ap- peared in Gounod's Faust at the Grand Op- era, Paris. Painted in 18(59. Art Treas. of Amor., i. 101. FAUST IN HIS STUDY, Ary Sche/e.r, Rothschild Collection, Paris ; canvas, H. 3 ft. 8 in. x 2 ft. 10 in. Instead of the old al- chemist of Goethe, the artist has painted a young and handsome man seated in his study before a volume at which he looks with a melancholy air ; behind him, Meph- istopheles, smiling sardonically at the tor- ments of his pupil. Salon, 1831. Ary Scheffer painted a series of subjects illustrating the Faust legend. For others, see Jliirywi'i/i: Subject also treated by Eugene Delacroix, Hans Makart, Gabriel Max, Alexander Liezen-Mayer, and others. FAUST, HEINRICH, born at Reinsdorf, Oct. 0, 1843. Genre and portrait painter, pupil of George Koch, of Professor Miiller, and of the Cassel Academy. Studied under I van Lerius in Antwerp ; visited Italy, where he was especially attracted by the old Vene- tian masters, and then settled iu Cassel. Paints in the style of Makart. Works : Por- trait of a Lady (1808); German Legends ; Children's Figures ; The Flowers' Revenge ; Egyptian Princess ; Titauia ; Mediiuval Ger- man Lady. Miiller, 1C9,
