MAKART (1875) ; Grapes and Peaches ; Banks of the Marne near Vignely (1876) ; Washerwomen of Vignely, Undergrowth in the Alps (1H77); Decorative Panel (1879) ; Bouquet of Hoses (1881) ; Cut Roses at Foot of Rosebush (1882) ; Pears and Peaches, Broken Branch (1883); Rose-bushes in the Old Park, Fruit- piece (1885). Bellier, ii. 14 ; Du Camp, Beaux-Arts, 84, 251, 347. MAKART, HANS, born at Sal/.burg, May 29, 1840, died in Vienna, Oct. 3, 1884. His- tory painter, pupil, in 1858, of Vienna Acad- emy under Ru- ben, but, dissat- isfied with the 1 prevailing meth- ods, left it after a few months, and returned on foot to Salzburg, whence, through the munificence of the Prince-Arch- bishop Maximilian von Tarnoczy, he soon proceeded to Munich, and there studied first under his relative, the landscape painter Schift'uiann, and in 1801-05 at the Academy under Piloty ; visited London and Paris in lS(j:i, Italy in 186(5, Venice and Vienna in 1868, Rome in 1869, and in the same year settled in Vienna at the invitation of the Emperor Francis Joseph, who caused a sumptuous studio to be prepared for the artist, and in 1876 conferred on him the title of professor. The winter of 1875-76 he spent in Egypt, then visited Antwerp, and in 1877 Spain. Professor at Vienna Acad- emy from 1879 ; honorary member of Vien- na, Berlin, and Munich Academies. Gold medals in Vienna, 1857, 1882 ; Medal of Hon- our, Paris, and L. of Honour, 1878; Officer, 1884. In August, 1884, he became insane. Works : Lavoisier in Prison (1861) ; After- noon Pastime of Aristocratic Venetians (1862) ; Falstaff in the Basket (1864) ; Knight and Mermaids (1865), Schack Gal- lery, Munich ; Leda (1866) ; Portraits in Rembrandt's manner, Roman Ruins (1867) ; Modern Amorettes (1868) ; Plague in Flor- ence (1868), Count Palffy, Hungary ; Queen of Elves (1869), Raczynski Gallery, Berlin ; Juliet on the Bier (1869), Vienna Museum ; Abundantia (1870) ; Cycle of Allegories (1870-72), Palais Dumba, Vienna ; Four Di- visions of Day, Two Scenes from Snow-Drop (1873) ; Caterina Cornaro (1873, of which we give a photogravure), National Gallery, Berlin ; Scene from Midsummer-Night's Dream (1874) ; Cleopatra (1875), Stuttgart Museum ; Antique Sail on the Nile, Moor- ish Prince, Two Fellah Women carrying Water, Two Nubian Girls (1875-76) ;"En- try of Charles V. into Antwerp (1875-78), Kuusthalle, Hamburg ; Five Senses (1879) ; Ophelia, Diana's Hunting Party (1880), James A. Banker, Irvington, N. Y.; Summer (1881) ; Spring (1882) ; Cycle to Wagner's Trilogy of Nibelungs, Apotheosis of Art, Cycle in Art-historical Museum Vienna (1883) ; Judith (1884) ; Bathers Surprised, T. A. Havemeyer, New York ; Love-Dream, Miss C. L. W'olfe, ib. Academy (1880), i. 328 ; Allgem. K. C., viii. ; Art Journal (1881), 205 ; (1884), 350 ; Illustr. Zeitg. (1869), 101; (1875), i. 211; (1877), ii. 267 ; (1883), i. 292 ; Jordan (1885), i. 168 ; ii. 142 ; D. graph. K., ii. 11 ; iii. 27 ; Kunst-Chronik, ii. 168 ; v. 22, 163, 193 ; vii. 95 ; viii. 793 ; ix. 294 ; x. 694 ; xiii. 441 ; xiv. 598 ; xv. 521 ; xvi. 465 ; xvii. 1, 309, 490 ; xviii. 11, 302, 462 ; xix. 741 ; xx. 13, 95, 383, 525, 557 ; La Ilus- traciou (1881), i. 283 ; ii. 178 ; (1884), i. 75, 379 ; Landsteiuer, Hans Makart u. Rob. Ham- erling (Vienna, 1873) ; Leixner, Mod. K., ii. 6 ; Bruno Meyer, Stud. u. Krit., 326, 345 ; Mtiller, 349 ; Neue illustr. Zeitg. (1885), i. 7 ; Pecht, ii. 340 ; Portfolio (1884), 223 ; (1886), 36, 49; D. Rundschau, xxv. 463; Land und Meer (1872), No. 2, 3 ; Wester- manu's Monatshefte, xlix. 378 ; Zeitschr. f. b. K., viii. (Mittheilungen, i. 42) ; xiv. 25, 193 ; xxi. 181, 214. MAKOVSKI, KONSTANTIN, born in Moscow, June 30, 1839. Historical genre and portrait painter, pupil of the Moscow 182
